Follow Reggaeton artist Nicky Jam's struggles to overcome drug addiction and rise to international success in this dramatization of his life story.

A little girl who dresses as a boy to steal so she can support herself and her guardian who is like a father to her. One day while stealing meets a young man who gives her a job and becomes good friends with her.

In the Mexican town of Oaxaca, Adalberto's wife, Rosario, slams the door on their twenty-year marriage and leaves to live with her sister in Australia. The day of her departure, her nearly-blind old uncle - in a hospice for the dying - wins the lottery. Misogynist Adalberto puts on a wig and a dress and 'becomes' Rosario in hopes of inheriting the money. But the uncle's notary finds another niece and the newly-minted 'Rosario' must prove herself the more deserving heir. Ambition gets sidetracked as Adalberto attempts to win the contest by caring for an abandoned child and ends up playing grandmother to a six-year-old version of himself.

Teen Nicholas Borelli gets the surprise of his sheltered life when he ends up spending the summer with a cast of eccentric relatives in Brooklyn, N.Y.

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This feature documentary offers a comparison of the care of two boys with Down syndrome. Danny lives at home with his brothers and sisters and attends a special neighborhood school for children with disabilities. Nicky lives in a large institution for persons with intellectual disabilities. This film clarifies common misconceptions about intellectual disabilities, and presents an intimate portrait of the families, staff, and communities that come together to assist Danny and Nicky in learning, playing, and living a fulfilling life.

故事开始时，Nick和Nicky回到纽约准备结婚。但在筹备婚礼的同时，他们卷入了一系列谋杀案的调查中。

A close-knit Greek-American family, jeopardized when its Manhattan bakery goes up in flames, looks desperately for ways to solve the financial dilemma of repossession and property without destroying its heritage.

With Jam, the TV follow-up to his Radio 1 series Blue Jam, Chris Morris focuses more on unease more than the satire of Brass Eye. Indeed, it's a moot point whether Jam can actually be categorised as comedy at all. Each sketch is steeped in a heavy brine of dark, ambient music (including Bark Psychosis, David Sylvian and Brian Eno), grainy imagery, fast-cut editing and slo-motion. Its mirthless, Kafka-esque scenarios feel like an attempt to morph into some new species of post-comedy that is more like the stuff of nightmares. The credits, in which Morris stalks the moving camera, uttering Lear-esque words of foreboding immediately announce that this "sketch show" is a galaxy apart from The Two Ronnies. The appalled look on actor Kevin Eldon's face in the opening sketch of the series, as a young couple invite him to endure being buggered by a mutual acquaintance ("I need a break"), sets the tone. Rape, chemotherapy, wanton urination--as a naked "Robert Kilroy-Silk" goes insane in a sketch full of detestation for the oleaginous TV presenter--and recurring sketches involving callously authoritarian NHS doctors, all go to make up these annals of the bizarre and perverse. Ultimately, Jam doesn't quite work, not on TV anyway. The repetition of the same, small cast over and over, broken up too briefly by Morris' own appearances (as a "country gentleman" living outside his house, for instance), coupled with the gruelling treatment of the sketch material makes for a psyche-probing, jaw-dropping experience--but in parts also a nullifying and strangely predictable one. Morris's "failures" are far more interesting than most people's successes. --David Stubbs